Sound Re-Design - The Wolf (VFS Final Project)

Sound Re-design - Across The Spider-Verse

如您有遊戲、廣告、動畫、有聲書、教材、微電影、歌曲等項目正規劃，或對於「配音」、「混音」、「聲音設計」、「聲音後期」如何進行有興趣了解，歡迎來訊免費諮詢。

If you are looking for a sound editor, mixer or sound designer, please contact me for more information.

合作洽詢｜Business Collaboration

Taiwan🇹🇼
聲音工作者
Post Production
Sound Designer
Technical Sound Designer
Live Sound Engineer
🎹🎤🎸🥁🎙🎚🎛

GBA 56th｜Best Sound Effect
POV Awards｜Best Sound Design

Tracy Chang

<h3>參與作品｜Projects</h3>微電影｜Short FilmsUnspoken (2024) - Production and Post SoundHoney Honey (2024) - Post SoundChaundle (Run N Gun 2024) - Post SoundBrynmawr (2024) - Post SoundIt Takes You Back (2024) - MixerWho&#x27;s There (2024) - SFX Editor, Sound Designer, ADR RecordistMeat and Potatos (2024) - SFX EditorGhosting (2024) - Dialogue Editor, ADR Recordist, Foley ArtistOne Swallow Two (2023) - Dialogue Editor, Foley Recordist, MixerBlack And Blue (2023) - Post SoundThick As Mince (2023) - Post SoundOff The Hook! (2022) - Post SoundComing Home To Myself (2022) - Post SoundCheers, (2020) - Post Sound遊戲在地化｜Game Localizations暴雪娛樂｜Blizzard Entertainment<ul><li>爐石戰記｜Hearthstone</li><li>鬥陣特攻｜Overwatch</li><li>魔獸世界｜World of Warcraft</li><li>暗黑破壞神IV｜Diablo IV</li></ul>傳說對決｜Arena of Valor黑色沙漠｜Black Desert戀與製作人｜Mr Love: Queen&#x27;s Choice遊戲專案｜Game Productions如果重來｜If Only: Once Again歌曲｜Songs<a href="https://open.spotify.com/track/5FmRBEZ936C31XSeC3etEQ?si=0196fbc0e9c241d5">一道光</a><a href="https://streetvoice.com/Wheat_music/songs/685582/">祢以恩典為年歲冠冕</a><a href="https://open.spotify.com/track/2ija2rtRng6EAAd1gWwqro?si=5a120b2ab02e45f7">葡萄樹</a>

<h3>音響器材架設｜Stage Setup</h3>忙碌完狼狽的模樣與救命般的生活泡沫綠茶。音控的工作，每換一個場地都是全新的挑戰。有次來到租借的戶外舞台，一切器材的架設都需自助。活動前一天晚上打著手電筒的光芒從電燈開關開始找起。八月的夜晚沒有冷氣，PA台、導線、喇叭，在附近的幾個活動中心一樣一樣找齊、搬運並測試。隔天再一步一步地把舞台架設完整，讓樂團能夠準時開始測試並完成當天的任務。下方看完整架設縮時

<h2>經歷｜Experience</h2>聲音後期｜Post Production SoundFreelance 2020-Present<ul><li>與導演密切合作，保證達到期望中的創意產出</li><li>運用專業聲音剪輯、聲音設計、Foley、音樂編輯和混音技術，說出最好的故事</li><li>在預算限制下產出超出預期的作品</li></ul>Vancouver Film SchoolSound Design For Visual Media 2023-2024<ul><li>符合業界標準流程的工作、分工訓練，在專案中鑽研不同聲音設計的方法與技巧</li><li>在遊戲專案中擔任隊上的聲音設計工程師，在遊戲中植入音檔，debug，編寫獨特的互動性遊戲聲音體驗</li><li>專業5.1聲道混音訓練，熟悉各項automation的使用，使用影廳等級的混音台和空間設備完成混音</li></ul>錄音師｜Sound Engineer擎天信使音樂製作有限公司 2019-2023<ul><li>專業遊戲在地化經驗，與台灣知名配音員合作</li><li>具備專業錄音、後製及混音技術</li><li>能高效完成具有時間限制的專案，邏輯清晰，交檔精確完整</li></ul>現場音控｜Live Sound Engineer蒔麥教會 2020-2023<ul><li>舞台架設與狀況排除，為表演者及觀眾打造流暢的舞台體驗</li><li>具備現場混音及樂團分軌錄音、線上直播技術</li></ul><h3>獲獎經歷｜Awards</h3>2024 Run N Gun Finalist - Chaundle2022 POV Film Festival Best Sound Design - Off The Hook!2021 第56屆廣播金鐘獎 音效獎 - 24小時偵探

<h3>關於我｜About Me</h3><h3></h3>I want to tell a story with sound that would move you and live in your memories.嗨 我是崔西 工業設計系出身的聲音工作者外向的內向者，喜歡健身、抱石、排球、騎單車、在戶外跑跳，也喜歡宅在家看影集或漫畫，熱愛咖啡、茶、調酒、香水及一切蘊含豐富香氣的事物。從小學習音樂養成了對聲響情緒敏銳的直覺。自從在公司一邊上音效一邊傻笑，發掘了對聲音設計的熱情。2023年前往加拿大進修，開啟了更廣闊的聲音世界大門，2024結束為期一年在VFS的專業訓練，不管是對於影視還是遊戲，對於用聲音打造沉浸式的體驗著迷不已。相信什麼就去做。經驗過不同的國家文化，以及從錄音室到使用任何工具都能開始工作的學校，相信只要保有熱情，沒有任何的預算能限制作品的發聲。你有你想說的故事，我用我的專業讓大家聽見。

about

Experience the award-winning audio adventure!

<h3>Best Radio Drama Award</h3>Winner: Air Story Studio (空中故事館)Registration unit: Cheng Sheng Broadcasting Corp Taichung StationRadio Drama Award Jury CommentsThe script is outstanding, breaking away from the typical didactic themes often seen in radio dramas and engaging the audience effectively. The character portrayals avoid falling into simplistic black-and-white stereotypes. By using character-driven flashbacks narration to advance the plot, the drama allows the audience to become more deeply immersed.

&quot;24-Hour Detective&quot; is a groundbreaking Taiwanese radio drama created in collaboration with <a href="https://cowbay.tw">Cowbay Entertainment</a> and <a href="https://www.facebook.com/csbc.tcg/">Cheng Sheng Broadcasting Corp Taichung Station</a>.Follow Dong’er Chen (played by Tunyu Chang), a dried up novelist, and Sixuan Tan (played by Shiying Yang), a curious and adventurous convenience store worker, as they take on a thrilling and absurd investigative journey.The production brings together a diverse cast of professional voice actors and amateurs, creating fresh dramatic tension. The sound effects and live recordings vividly capture shifts in time and space, authentically recreated the everyday sounds from Taiwanese life—such as those from airports, Taipei&#x27;s nighttime streets, trendy coffee shops, and convenience stores.

<h3>Best Sound Effect Award</h3>Winners: Yanyu Lin, Summer Shih, Jacky Tsai, Tracy Chang / Air Story StudioRegistration unit: Cheng Sheng Broadcasting Corp Taichung StationSound Effects Award Jury CommentsThe use of the recording pen effect is quite creative. It serves not only as a storyteller but also as a tool for recording the story, as well as a medium for scene transitions. The voices, music, and sound effects are clean and clear, with appropriate adjustments for distance and spatial movement that align well with the storyline.

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<h3>Stage Setup</h3>After the busy and chaotic work, the life-saving green tea.It&#x27;s a new challenge every time the sound team moves to a different place. On one occasion, at a rented outdoor stage, everything had to be set up from scratch. The night before the event, armed with a flashlight, we started by locating the light switches. In the sweltering August night without air conditioning, we gathered, transported, and tested the PA system, cables, microphones, and speakers from various nearby activity centers, making sure the stage could be assembled on time the next day.Watch the full time-lapse of the setup below.

<h3>About Me</h3><h3></h3>I want to tell a story with sound that would move you and live in your memories.I&#x27;m Tracy. A recordist, sound designer, mixer, and technical sound designer.After working for 3 and a half years in a recording studio, I committed myself into the sonic world, and spent a year of training in Vancouver Film School, honing my skills in recording, editing, and mixing.With solid editing skills and a love for innovative sound design, I explored diverse projects, including an opportunity as a technical sound designer for a game project, and student film projects that were constrained by budget but had great opportunities of creativity and growth.In the game project I completed within a four-month timeframe, I showcased not only my problem-solving ability but also my organizational abilities through navigating the intricacies of implementation in middleware and game engine. I enjoy both the technical and creative aspects of sound design, and am consistently thrilled to witness a project become complete with the decent sound reach completion with exceptional sound quality.

<h2>Experience</h2>Post Production SoundFreelance 2020-Present<ul><li>Partner closely with directors and deliver their creative visions.</li><li>Enhance storytelling through creative sound design and immersive mixing.</li><li>Proficient in production sound editing, Foley, and music editing.</li><li>Efficiently manage tight deadlines and limited budgets while consistently delivering exceptional work.</li></ul>Vancouver Film SchoolSound Design For Visual Media 2023-2024<ul><li>Explored various creative approaches to sound design.</li><li>Industry-standard practices for working and collabrating in post-production.</li><li>Implemented audio assets, debugged, and introduced additional features as a technical sound designer in a student game project.</li><li>Proficient in 5.1 mixing, operating mixing console and automations.</li></ul>Sound EngineerGTXS Studio 2019-2023<ul><li>Professional experience in game localization.</li><li>Collaborated with leading voice actors in Taiwan.</li><li>Conducted re-recording and ADR sessions.</li><li>Proficiency in re-recording mixing and editing techniques.</li><li>Effectively meet deadlines with high accuracy, demonstrating organization and clarity in delivery.</li></ul>Live Sound EngineerWheat Church 2020-2023<ul><li>Set-up and tear-down equipment.</li><li>Proficient in troubleshooting and facilitating smooth performance.</li><li>Live recording and mixing for for both live band performances and live streams.</li></ul><h3>Awards</h3>2024 Run N Gun Finalist - Chaundle2022 POV Film Festival Best Sound Design - Off The Hook!2021 GBA56 Best Sound Effect - 24-hours detectives

<h3>Previous Projects</h3>Short FilmsUnspoken (2024) - Production and Post SoundHoney Honey (2024) - Post SoundChaundle (Run N Gun 2024) - Post SoundBrynmawr (2024) - Post SoundIt Takes You Back (2024) - MixerWho&#x27;s There (2024) - SFX Editor, Sound Designer, ADR RecordistMeat and Potatos (2024) - SFX EditorGhosting (2024) - Dialogue Editor, ADR Recordist, Foley ArtistOne Swallow Two (2023) - Dialogue Editor, Foley Recordist, MixerBlack And Blue (2023) - Post SoundThick As Mince (2023) - Post SoundOff The Hook! (2022) - Post SoundComing Home To Myself (2022) - Post SoundCheers, (2020) - Post SoundGame LocalizationsBlizzard Entertainment<ul><li>Hearthstone</li><li>Overwatch</li><li>World of Warcraft</li><li>Diablo IV</li></ul>Arena of ValorBlack DesertMr Love: Queen&#x27;s ChoiceGame LocalizationsIf Only: Once AgainSongs<a href="https://open.spotify.com/track/5FmRBEZ936C31XSeC3etEQ?si=0196fbc0e9c241d5">一道光</a><a href="https://streetvoice.com/Wheat_music/songs/685582/">祢以恩典為年歲冠冕</a><a href="https://open.spotify.com/track/2ija2rtRng6EAAd1gWwqro?si=5a120b2ab02e45f7">葡萄樹</a>

about_EN

廣播劇獎《空中故事館》參賽單位：正聲廣播股份有限公司臺中廣播電台The Radio Drama &quot;24-hour Detective&quot; winning Best Radio Drama Award in 56th Golden Bell Awards.《廣播劇獎評審評語》 劇本非常優秀，跳脫廣播劇常見的八股說教題材，引人入勝。角色刻畫不落入非黑即白的刻板窠臼。捨棄使用旁白說明而採用角色倒敘推動劇情，讓觀眾能更融入其中。

音效獎 林彥宇、施嘯天、蔡嘉哲、張詠欣／空中故事館報名單位：正聲廣播股份有限公司臺中廣播電臺The Radio Drama &quot;24-hour Detective&quot; winning Best Sound Effect Award in 56th Golden Bell Awards.《音效獎評審評語》錄音筆音效頗具創意。它既是說故事的人，也是記錄故事的工具，更是場景轉換的媒介。人聲、音樂、音效乾淨清晰，配合劇情或遠或近、音場動線合理。

廣播劇《24小時偵探》是與<a href="https://cowbay.tw/%E7%89%9B%E7%81%A3%E5%A8%9B%E6%A8%82/">牛灣娛樂</a>及<a href="https://www.facebook.com/csbc.tcg/">正聲廣播公司台中台</a>合作推出的原創台灣廣播劇。劇中男主角陳東爾（張敦喻飾）遇見了在便利商店打工，好奇心旺盛的女主角譚肆萱（楊詩穎飾），展開了荒謬刺激的偵查之旅。作品匯集多位專業配音員與素人的聲音表演，碰撞出新的戲劇張力，並利用許多不同的特效及現場收音，來明確定位出劇中的時間空間轉換，創造出鮮明的畫面感。台灣日常生活中常聽到的環境音，舉凡機場、台北夜晚街頭、文青咖啡店及便利商店等不同場景，都在這齣戲裡一一重現。<a href="https://www.facebook.com/watch/130135780652161/307594791027543">了解更多</a>

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這是我的方案，歡迎大家支持

Tracy Chang

Sound Works｜聲音作品

Studio Works｜錄音室作品

Music Production｜音樂製作

Podcast Editing｜Podcast 剪輯

More About Me｜更多日常